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The Passion Project: Joan’s Story is in the Room

Tom Graff
Jan 19th, 2010

The Passion Project should not be watched, it should be entered into. After all, it is an act of devotion.
— Helen Shaw, Time Out NY 

Magical, and sinister, and strange – one of the most satisfying theatrical experiences I’ve had in ages.
— Claudia La Rocco, Culturebot 

What beauty there is in Mr. Farrington’s work. Like Dreyer’s film it is both luminous and cruel.
— Claudia La Rocco, The New York Times 
 

I had three questions for this articulate and fervent artist and afterward his answers filled four absorbing pages. 

Reid Farrington is a media artist, theatre director, stage designer, choreographer as well as an engaging conversationalist. He creates what some might mistakenly think is performance art, what others might think is post modern performance, but in actuality is what Farrington insists astutely must be experienced as theatre.  

Norma and Richard Bonynge Celebrate Vancouver Opera’s 50th

Tom Graff
Nov 30th, 2009

Notice final scene of Norma with Maestro Richard Bonynge at bottom, distinguished white hair the only feature of the dark orchestra pit. Photo by Tim Matheson

What I want to do when I grow up a few decades from now is to be Maestro Richard Bonynge (pronounced BONNing.) Over the next few magical days at the wonderfully re-furbished (very mid-century) Queen Elizabeth Theatre, the Vancouver Opera is celebrating the launch of its 50th season with a repeat of a Bonynge Norma, Bellini’s tender and yet commanding Bel Canto opera. The last time he conducted it here was in 1963 and it was his debut as a Bel Canto expert. It put him and his now-iconic wife, soprano Joan Sutherland, on the opera map. So he and the original cast have always had a soft spot for Vancouver audiences. They cast a London recording of the opera the next year and there was no turning back. And Vancouver Opera was launched internationally. Catch something of the history of this week’s events with this television production of “Casta Diva” with Sutherland on Youtube: http://www.youtube.com/watch?v=EJ2L_B7VOWs

 Bel Canto Comeback

Revalia, the 17-Year Old Conductor, and the Jealous Tubas and French Horns

Tom Graff
Nov 24th, 2009

Caption: Revalia Male Choir from Estonia, Conductor Hirvo Surva, centre, front row.

From Vedran Smailovic, the cellist who played Bach in the cross-fire erupted streets of war-torn post-Olympics Sarajevo, to the non-jingoistic Country & Western ballads (and the responses to them by hip progressives like Neil Young) during America’s unprovoked attack on Iraq, musicians with a social conscience continue to perform for greater social purposes beyond entertainment. During the Soviet occupation of Eastern Europe, the pocket-sized, near-powerless Batlic states maintained a vibrant psychological resistance through singing choral music, plain and simple, heroically and musically. That politically aware music making in groups has earned a societal significance far more powerful than most political movements. So the back story is great and inspiring.

Haruki Murakami's After the Quake: A Surreal Play

Tom Graff
Nov 24th, 2009

Celebrated author Haruki Murakami, born in 1949, is one of many artists pointing outside Japan for inspiration to exist in the modern world. Isolation is his enemy. A highly recommended surreal play drawn from Haruki Murakami’s novel "After the Quake". Adapted for the stage by Frank Galati.

Vancouver’s Pi Theatre and Rumble Productions present the Canadian premiere.

Doubtless the most celebrated (inside and outside the country) modern-day Japanese internationalist author, Murakami indulges in flowing prose that can, at times, seem very like the so-called “magic realism” in Central American fiction. He has often asserted that good writing needs rhythm and melody, like an improvised jazz song, saying that he uses a ‘free improvisation’ style of writing, where his story just comes out through some sort of special channel like automatic writing. His characters move effortlessly between the surreal and real, inspiring many an office worker to read him on long trips to and from the office every Monday through Saturday in Japan.

Vangroovy Vancouver

Tom Graff
Nov 21st, 2009

When outsiders look at us, what do they see?  Photo by Linda Solomon

Here we are in a beautiful Calgary garden. The groovy newlywed young engineer who designed and installed the very Vancouver garden spent his childhood in Richmond. He offers me a veggie burger  and with a straight face says, “What’s it like in Vangroovy these days?”

“Vangroovy? So 1950’s,” I think.

When & How

Minutes into the meal I overhear, “It’s getting impossible to move back.”

Then I twig: Everyone at this enjoyable get together of 30- and 40-somethings wants to move to our city, has plans that are now on hold for who-knows-how-long, and they are frustrated. By making all sorts of compromises, financial and otherwise, maybe they will get to the groovy place. But when? And how?

Some vaunted particulars:

Bridge of Song: Revalia & Chor Leoni

Tom Graff
Nov 19th, 2009

Count yourself lucky if you are there this weekend to hear the best of Estonian choral singing meeting the best of Canadian men’s choirs in an unforgettable evening of music.

 This weekend Vancouver has the privilege of witnessing a concert of the Revalia Male Chamber Choir with Hirvo Surva, their director.

 When the iron curtain and the Berlin wall fell we learned that the Baltic countries had been making exceptional music for an exceptional time, especially choral music. Estonia is a hot bed of incredible vocal talent. Think of the now world-famous Estonian Philharmonic Choir and their devotion to the extraordinary works of Arvo Pärt.

 Estonian musical leadership comes from creative composers, conductors, singing teachers and performers willing to leap to the challenge.

  • Grand Prix & First Prize, 1st British International Male Voice Choral Festival
  • Best Male Choir, 8th International Choral Competition “Tallinn 2003”
  • 2003 Choir of the Year, Estonian Choral Society

 Saturday, November 21, 2009  7:30 pm Note the early hour.

Shaughnessy Heights United Church

From Film to Fabulous: Arts Club Presents White Christmas

Tom Graff
Nov 19th, 2009

Arts Club Performance of White Christmas Dress Rehearsal

Take a movie and add some more famed Irving Berlin songs, some great tap dancing and perform it live. Put a creatively integrated band, enhanced with well-sampled and performed digital keyboards, playing expertly in a pit in front of the stage, then add voices warm and dramatic and we have gone from film to fabulous. And the audience gets to sing the title song—twice!

It seems like someone took the film and gave it some artistic ginseng. That is primarily because when the Arts Club takes on a musical we get great performing skills, genuine smiles, nothing calculated. Director Bill Millerd has once again given musicals a fresh definition, one based in their origins. He has drawn on great talent and aimed at high industry standards, presenting the best. The audience is welcomed inside a musical when Millerd is at the helm.

Lucky Vancouver. Lucky performances. Lucky audiences. Fun videos start here: http://www.artsclub.com/20092010/videos/white-christmas/actors.html

45 Local Vancouver Artists Featured in 2009 Eastside Culture Crawl

Tom Graff
Nov 6th, 2009

Artist: Wendy D
Suite: 
711
Building: 
Suite 711 The ARC, 80 artists’ live/work studios at Powell and Commercial. A live-work space, a building full of artists.

Wendy D talks about her photo-based art: “What is Photography? It’s about Emotions… those in front of you, those you create and those you experience. It’s about Instincts - knowing the precise moment when everything comes together and you press shutter. It’s about Relationships - highlights & shadows, F-stops & shutter speeds, photographer & subject, subject & environment, image & viewer. It’s about Observation - being aware of what is around you, seeing what others miss, and capturing it for them… It’s about Voice - finding what you want to say and having the courage to say it ….”

From: The Eastside Culture Crawl

What a difference a decade makes.

The Eastside Culture Crawl officially began in 1997 with 45 artists in 3 Strathcona area studio buildings and was attended by a few hundred people, me amongst them. 2009 is the 13th year. I highly recommended it every year.

Annual
You have heard of The Slow Food Movement, the idea that presents food as made by hand and not by machines. A chance to get away from the computer or TV screens, this is Slow Art, hence the Crawl, the general public’s annual chance to enter artists’ studios, look around in a relaxed atmosphere, even if you never thought about visual art before. You can have a conversation if you like, but there is no pressure.

Bravo! by Rosemary Cunningham is a Gem of a Book About Opera's British Columbian History

Tom Graff
Oct 27th, 2009

Bravo!

The History of Opera in British Columbia

Rosemary Cunningham

 Harbour Publishing

$39.95 · Hardback

208 pp 

 Heroes, famous and creative

This agreeable book is full of staunch supporters—chief amongst them the author. The truly operatically famous (from Joan Southerland and Richard Bonning to Adam Egoyan) gather together with the truly creative, though perhaps not famous (from great choral conductors like Vancouver’s Bev Fife or heroic board members who supported financial short falls so the show could go on).

Usual suspects

There are also the stage directors with lots of peak, sopranos “too overweight” as well as the “svelte,”  tenors superb and those who get laryngitis, along with audiences who are variously timid and daring. Bravo! Is a fun guide through the boardrooms, back stages plus lively on-stage encounters of the BC opera scene.

Love of Opera

Vancouver Playhouse and The Miracle Worker: Helen Keller’s Mind and the Meaning of Annie Sullivan

Tom Graff
Oct 17th, 2009

Helen Keller and Annie Sullivan

They are not sure if it was scarlet fever or meningitis, but 19 months after her birth, Helen Keller could no more see or hear. Some 60 years later a play was written about Annie Sullivan joining the household. It would all distill into essentials, into the meaning of meaning itself. Water, its meaning and its essentiality, would make for the breakthrough. Some 50 years after the fact of the play our Vancouver Playhouse has broken   through to the core of the work and the lives of Helen and Annie.

Classic Play Stunning in Contemporary Setting

To revive a long-admired play by America’s William Gibson can be a challenge on many levels. With its post-Civil War setting and its story widely known, The Miracle Worker is often dished up as a plate of cold oatmeal. This production is everything but that: it sustains and develops the story and the core emotions in a way one could usually only long for in a contemporary production of a now-classic mid-century work of a late-nineteenth century story. In this production the particulars seem almost modern and of course the story is timeless.  

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