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Istanbul protests:“Ordinary people, marching everywhere”

Alfred DePew
Jun 2nd, 2013

Source: Serim Paker "The most beautiful 'bridge traffic'"

I start my Saturday morning on Skype with friends and colleagues in Istanbul, trying to find out more about what’s happening there. Early Friday morning, police moved in to break up a peaceful protest in Gezi Park, which the government plans to destroy in order to build a shopping mall.

So what’s the big deal? Happens all the time, right?

Not with tear gas. Not setting fire to the tents of the demonstrators.

There are other factors at work here. This is one of the last green public spaces in central Istanbul. And there’s an appeal that has not yet been adjudicated in the court system. And it comes a week after sudden and repressive new alcohol laws take effect, on the heels of more and more legislation that affects people’s private lives, whether or not they are practicing Muslims.

Indie-rocker and BC Conservative Duane Nickull challenges Premier Christy Clark in Point Grey

Alfred DePew
May 9th, 2013

Duane Nickull, BC Conservative candidate for Vancouver – Point Grey. Second photo: Nickull with Randy Rampage backing up DOA at the Rickshaw Theatre in January.

With platinum blond hair and pierced ears, environmentalist and software developer Duane Nickull doesn’t look like your typical Conservative.

“What does a Conservative really look like?” he asks. “We come from all walks of life, the same as the NDP.”

As far as his own first impressions of people go, Nickull admits to surprises.

“When I look at some one and think I know how they’re voting, my perceptions aren’t even close. A musician with dreadlocks and hemp fiber clothes. Green Party, right? Nope. Conservative. On the other hand I run into people in suits with briefcases who are Green Party supporters.”

One of the biggest changes he has noticed personally since announcing his candidacy is how he interacts with people in public. Before running for office, like all of us, he’d get impatient in the grocery store lineup.

“It’s amazing the metamorphosis when you become a politician,” says Nickull.

Studio notes: a painting dream

Alfred DePew
Apr 7th, 2013

Alfred DePew, acrylic on paper, 2007

In the dream, I sit in front of a large painting of two irregular rectangular shapes. The painting was begun by someone else and appears to have been abandoned. The shape on the left is a reddish mauve. The one on the right is a cerulean blue, lighter than the form on the right. And on its inside edge is a swipe of white that has picked up the blue underneath.

I keep looking at the space between the forms and this interesting edge, until I feel nearly ready to resume work on the painting.

When I look again, I see that a student has painted over the rectangular shapes with burnt umber and yellow ochre. The top part of the canvas is full of a loopy script.

I see that she’s working very fast, moving from this painting to two smaller canvases and back again.

I’m shocked and disappointed.

I had wanted to go into the painting and work on it myself, but it was her painting all along.

I want to tell her to slow down, sit back, and look for a while.

I ask her to imagine a story about a woman and a painting or a narrative from the painting’s point of view. I invite her to write several versions and discover what happens in each.

The True Heroines: Naked launch at the Rio

Alfred DePew
Mar 15th, 2013

The True Heroines: American housewives after their wartime careers in Europe as cabaret artists …

'Naked' as in strip tease, not nudist. Naked as in down-to-your-bloomers-and-bustiere.  About as naked as you could get on stage in the 1940s and 50s without being arrested.

So there we were on Tuesday night at the Rio Theatre, in an audience some 400 strong, with the ghost of Vancouver’s infamous past: Burlesque. Strip tease. Licentious dancing with foodstuffs that shall remain nameless. Jokes to make a grown man blush. Numbers like Ms. Cellophane, Birth Brawl, and Dance of 1,000 Deaths.

But what about the True Heroines? Act One was their backstory, you might say: they have a history as cabaret artistes in wartime Europe before they became American housewives, whose “special abilities” have caused them to be hunted down by … but I don’t want to give it away.

Abilities, schmabilities! These gals have super powers, and they’re not afraid to use them. One can make herself invisible. Another can throw off a 200-pound punk with the flick of her wrist. My personal favourite? The one “who could shake off attempts on her life like nobody’s business.”

When influenza takes over

Alfred DePew
Feb 26th, 2013

Illustration from the pulp magazine Weird Tales (October 1936). Source: Wikimedia Commons

A musical word, like belladonna. Beguiling and as full of deadly potential.

Flu is the thing we hope to avoid each winter, and whose vaccine we either get or don’t depending upon our opinions.

Shot or no shot, it can infect us—carried by the air we breathe, the objects we touch, the hands we shake.

It is ubiquitous. Like fear. With a mind and life of its own.

And despite my best intentions and massive doses of Vitamin C, it takes me down in January. Stealthily at first. And then with real insistence, it grabs me like a thief and hisses, “Don’t mess with me.”

I’ve heard it can last from three to six weeks—lingering. It can turn into whooping cough or pneumonia. It claims lives.

So I cancel everything that will require my leaving the house for two weeks, including a business trip back East.

And I go back to bed. I surrender to days of fevered delirium, fitful sleep, and waking dreams—nightmares mostly—of my life in various stages of collapse.

The flu as metaphor.

The flu as signifier.

The flu bearing news that I can hear in no other way.

“Be still and know that I am God.”

Is that it?

The Egyptian revolution: Hisham El-Gamal on the challenges of maintaining hope

Alfred DePew
Jan 25th, 2013

Hisham El-Gamal 

When I interviewed organizational consultant Hisham El-Gamal this time last year, he was full of hope. Egypt was nearing the first anniversary of its revolution. "Voices of Egypt," a film about his workshop that brought people together of different political and religious views, had gotten a great response.

As we near the revolution’s second anniversary this Friday, El-Gamal says there is a “sense of gloom [in Cairo]. People fear the future more than … [before] because it’s more vague. Egyptians are very polarized," he says. "We’ve lost our unity. The coming anniversary is a little scary. People don’t know what will happen.”

In a Skype interview last week, El-Gamal says he still believes in his film’s message of reconciliation.

The Egyptian revolution: activist Nadeem Abdel-Gawad reflects on Egypt today

Alfred DePew
Jan 24th, 2013

Nadeem Abdel-Gawad

Last year, Nadeem Abdel-Gawad was preparing to graduate from the American University in Cairo. He was also about to return to Tahrir Square for the first anniversary of Egypt’s revolution.

“Either we succeed, or they will have to kill us," he said at the time.

Clearly, Abdel-Gawad is still alive. What’s not so clear is the state of the revolution.

“A lot of people are kind of lost,” he says today. “I happen to be one of them.

"Things are not as clear as before. The battle doesn’t seem to be the bad people vs. the good people. All we’re sure of and all we know is that many have been killed, and we don’t see anyone being convicted for these crimes. It doesn’t make sense. It’s a huge step after 18 days of idealism [of the revolution in 2011] that you’d have to face a reality where the collective consciousness did not grasp the whole transformation.”

The mood in Cairo today

Through the Portal: so this is 2013!

Alfred DePew
Jan 15th, 2013

“Birth of the Solar System” Pat Rawlings / NASA Source: Wikimedia Commons

The end of the Mayan Calendar found me on Gabriola Island, at a community event standing before a huge metal hoop strung with a rope border—a Dream Catcher with a big hole in it.

“Welcome to the New Time,” said a woman dressed in white feathers. “Step through the Portal! Step through!”

“Why should I? What’s in it for me?” I said. “I’m not stepping though another blasted portal without some kind of assurance.” 

“One moment,” she said as she twirled around once to her left, leaned close to my face and pointed to what was inside. “Just look around!”

Middle-aged people, some with painted faces and wearing costumes, greeted one another. Kids chased each other around a dance floor. Musicians set up on a stage.

“What’s more,” said the feathered lady, “you can step back outside for food and ginger tea.” 

“OK,” I said, “I’ll give it a try.”

So I stepped through the portal into the future and found a back row seat just in case the performers decided to pull people up on stage to humiliate them.

All in good fun, of course.

How to make the most of the end of the world or Christmas, whichever comes first

Alfred DePew
Dec 18th, 2012

"Night Scene in Winter with Moon and a Church Tower in the Background" George Herbert McCord 1848-1909 (artist); L. Prang & Co. (publisher) Source: Wikimedia Commons

A friend says she’s relieved that the world is going to end on Friday; at least she won’t have to deal with Christmas.

More optimistic folk insist the world isn’t going to actually end, just the world as we know it because the earth will slide through a portal into a new dimension.

“Without Christmas?” asks my friend, brightening somewhat.

No matter where we find ourselves at the end of the Mayan Calendar, chances are we’ll be muddling through Christmas again this year.

And whatever else Christmas is or isn’t, it remains a mystery, coming, as it does, at the darkest time of the year—at least in our part of the world.

At Winter Solstice, we are pulled inward toward stillness, sleep and dreaming. At the same time, the energy of Sagittarius compels us outward toward new adventures and a quest for truth. And in all this sturm und drang comes the Christian celebration of birth, incarnation, and the union of human and the divine.

Never mind the end-of-year inventory and bookkeeping in preparation for the tax collectors.

No wonder everybody goes crazy. 

St. Paul’s Anglican Church: prayer and advocacy in Vancouver’s West End

Alfred DePew
Oct 25th, 2012

St. Paul's Anglican Church. Photo by Iota 9 Source: Wikimedia Commons.

It’s Palm Sunday, and I’m standing in Nelson Park with parishioners from St. Paul’s Anglican Church, waiting to proceed to the church on Jervis Street two blocks away.

There’s a trumpeter, a trombonist, a few drummers and choir members in robes. A few people hand out palm leaves. After the priest, Markus Dünzkofer, tells us how we will proceed, he adds, “If bystanders ask what we’re doing, refer them to Clare, our seminarian.”

Everybody laughs. Clare looks uneasy.

As people begin to sing “All Glory, Laud, and Honour,” I get the image of a Salvation Army band, and offer a silent prayer that I see no one I know along the way.

I am here, after all, as a journalist, not a churchgoer.

Once inside the church, after the Opening Versicle, the Hosannas, hymns, prayers, the Gospel, and Confession and Absolution comes the Peace, during which we all turn and nod to one another, or shake hands briefly and say: “Peace be with you.”

I know the drill.

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