After 11 years of bringing you local reporting, the team behind the Vancouver Observer has moved on to Canada's National Observer. You can follow Vancouver culture reporting over there from now on. Thank you for all your support over the years!

Political hip-hop parlays on the election battle

Hip-hop isn't your usual electoral terrain, but this week we parlayed with three rappers who want to get out the vote.

(Page 2 of 2)

“What I'm talking about is we've got all these problems in the world,” he said. “There's all these big things to look at. We've gotta start somewhere, why not start big?”
“That's one thing about hip-hop that's beautiful, is everyone can relate to it in their own sense. I'd love to see more political artists coming out of hip-hop”
The question of hip-hop politics is historic, explained Toronto rapper Mohammad Ali, an organizer in the anti-war and student movements.
“Hip-hop started out as a response to the failures of the civil rights movement,” Ali told the Vancouver Observer by phone. “After civil and political rights were won, it fell well short of meeting people's human rights because of the economic aspects.”
“There was a rejection of this form of political organizing – like marching on Washington – in favour of backyard politics, more grassroots goals and focusing on the community at hand and not the larger national stage.”
This localization of political struggle created the community organizing model widely used today among activists, more radical anti-poverty workers, and advocacy organizations like ACORN, which has led voter registration drives in communities of colour in the U.S. and bases its model on grassroots empowerment.
“There was at its core a rejection of organized politics in the birth of hip-hop,” Ali says. So what of a hip-hop mayor? Turns out Rose – aka Dubgee – is not the first. In fact, Detroit had a self-described 'hip-hop mayor' from 2002-2008, Ali says -- Kwame M. Kilpatrick. “When you ask, 'Should hip-hop engage on an electoral level?' you've got to keep in mind that originally it came out of a rejection of the failures and limitations of the electoral system.”
“But there is a place for it. As long as hip-hop is rooted in the community, then it's still hip-hop. The key is running for office with that community support. hip-hop is always an extension of the community and working for the community.”
Rose agreed with Ali that election campaigns are an uncomforable terrain for rappers, particularly because hip-hop is historically critical of the system.
“Hip-hop's always been about social issues, especially poverty, women's equality,” Rose said. “Success isn't winning the election.”
“Being able to parlay with society is important in raising awareness about social issues. Songs are used in so many communities to bring people together. I didn't ever think for a second that I would come close to winning this election.”
Rose said his campaign has focused on issues ignored by the mainstream media – missing and murdered Indigenous women in the Downtown Eastside, developer influence on City Hall, and police brutality to name a few. In fact, last night he released a free track on his website, his final effort to shape the election: a remix of renowned rapper group NWA's 'Fuck the Police.'
Last Monday, Dubgee performed at the Media Club to promote his campaign. Dubgee took the stage and threw his support behind fellow mayoral candidate Randy Helten, whose Neighbourhoods for a Sustainable Vancouver (NSV) candidates were in the audience, along with independent candidate and Occupy Vancouver camper Lauren Gill.
Rose launched into one of his first campaign songs – 'Relevant Development' – which accuses City Hall of being under the control of the development and real estate industries:

“Back to the lecture at hand - you know its shitty
Irrelevant Development all over Vancity
It start at City Hall we offered this and that
But when the buildings are done, developers take it back.
We probably just some NPA hacks
I heard the mayorship was for the city so I'm taking it back
We just need some relevant development up in the hood
City Hall and Developers up to no good.”

Rose landed himself in hot water earlier in the campaign when he criticized Coalition of Progressive Electors (COPE) candidate RJ Aquino, who he accused of being unwittingly chosen to run simply because he's Filipino. In another campaign song – 'Connect the Dots' – he sings:

“Let's get to Vision's slick regular player
He talked COPE into not even running a fuckin' mayor
His website and fundraiser is a tokenizing joke
While Mable Elmore and Aquino got that ethnic vote.” 

Despite getting a sympathetic interview on a Filipino community radio programme shortly after, understandably Rose's call-out (criticism) wasn't well-received in other circles.
“I'm not upset, I'm more disappointed,” Aquino said. “We have somebody who's decided to throw his hat in the ring and has the ability to deliver a coherent message. Instead he's using it to fabricate accusations.”
“It really came out of left field. He made an assumption about me without meeting me. I don't know where his opinion comes from. He's a really thoughtful guy who's articulate and passionate. He could be using his voice for so much more.”
Thorpe said his approach to political issues is to focus on the positive and collective responsibility for problems – not individual attacks.
“I try to talk about it in a worldly sense rather a direct attack – like, we as the people should be doing better than that, instead of blaming a person,” he said. “What does that do? You can call out people all you want. It's funny because when people get face to face, you just end up talking. Calling people out is not my style.”
In fact, when Rose met Aquino at an all-candidates debate several weeks ago, the two had what Rose described as “an awkwardly long handshake” and conceded that his criticism was more directed at COPE for agreeing to run alongside Vision and not field a mayoral candidate.
“That was a big statement to put out there,” Rose admitted of his ethnic-tokenizing accusation. “Maybe I'm wrong.”
“(Aquino) kind of caught a potshot -- he got the brunt of it. I said, 'I'd love to sit down and talk with you -- prove me wrong.' I don't need to sling mud or dirt and don't want to.”
Thorpe pauses in our diner-booth conversation to fist-bump a customer, and explains that the Downtown Eastside is the first place he's felt at home since moving to Vancouver – a neighbourhood he feels needs more respect and prominence in the election.
“I've got to meet a lot of dope people – people in suits and people pushing carts,” he said. “There's something about the DTES that really is amazing. It's sadly beautiful.”
Regardless of which way people lean politically, Thorpe agrees with Rose on one point – people need to get involved in their community, and an important facet of that is voting.
“You don't see a lot of youth going out to vote for the mayor of their city,” Thorpe said. “If someone got the youth really involved in it, you could see a huge change in that.”
“If you started at a young age, as they get older they'll keep doing it and form a sort of culture that wants to do it. But that's not on me, I'm not a politician nor will I ever be.”

More in Music

Marcus King Band brings Southern Blues North of the border for the first time

This week Marcus King and his five-piece band played the Commodore Ballroom. It was the first time King had played in Vancouver and fans were ecstatic for his arrival. The venue was packed brimming...

"Voices Appeared" to silent Maid

Orlando Consort sets Dreyer's Saint Joan masterpiece to 15th century scores

Mt. St. Hille's pyroclastic gems

Veda Hille self-celebrates a life well-lived in idiosyncratic solo show "Little Volcano"
Speak up about this article on Facebook or Twitter. Do this by liking Vancouver Observer on Facebook or following us @Vanobserver on Twitter. We'd love to hear from you.